| Téma: Német (és más skandináv) zeneszerzők |
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 Christoph Schaffrath (1709-1763): Sonata for Viola da Gamba
Feltöltés: 2011. máj. 7.
Sonate für Viola Da Gamba , Violino, Violoncello und Cembalo - A/dur
00:00 - Adagio
02:26 - Allegretto
08:44 - Allegro
Guido Balestracci, viola da gamba
Amandine Beyer, violino
Martin Zeller, viola da gamba & violoncello
Massimilano Raschietti, cembalo
http://www.amazon.com/s?ie=UTF8&keywo...
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Christoph Schaffrath (1709, Hohnstein -- 7 February 1763, Berlin) is best known as a musician and composer of classical western music of the late Baroque to Classical transition era.
[http://en.wikipedia.org/wiki/Christop...] |
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Korábbi témához: vitatná-e valaki, hogy apát és lányát látjuk?
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Írhattam volna még, hogy Mendelzón, Schumann és Brahms zenéje Beethovenből táplálkozott, de a Dönci megharagunna.
Bartók meg érdekes keveréke a népzenei gyökérnek meg a liszti örökségnek. |
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Ez alighanem világrekord: komplett világ-zeneirodalom történet 261 írógépleütésben !  |
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Na, Reger az egy olyan zseni volt, akit csak Mozarthoz lehet hasonlítani. Na nem a zenéjét, hanem a tehetségét. Bach zenéje gondolkodásból, Liszté szorongásból, Beethovené a sorsából táplálkozott, Mozart meg Reger ezzel szemben valahogy készen kapta az egészet. |
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 Max Reger: Symphonische Fantasie und Fuge d-moll op.57 "Inferno Fantasie"
Közzététel: 2012. okt. 18.
Max Reger: Symphonische Fantasie und Fuge d-moll op.57 "Inferno Fantasie" - Roberto Marini plays the great Organ of St. Florian Basilika, Austria. This piece is extracted from Volume 1 of "THE COMPLETE ORGAN WORKS OF MAX REGER" published by Fugatto, France (http://fugatto.free.fr) - Produced, recorded and mastered by Federico Savio |
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 Carl Orff: O Fortuna ~ Carmina Burana
Közzététel: 2013. ápr. 17.
Carl Orff - O Fortuna ~ Carmina Burana
Irudiak: Joseph Mallord William Turner |
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 Otto Nicolai: Symphony No.2 in D-major, WoO 99 (1835)
Közzététel: 2013. júl. 25.
Otto Nicolai
Work: Symphony No.2 in D-major, WoO 99 (1835)
Mov.I: Andante - Allegro 00:00
Mov.II: Adagio 17:32
Mov.III: Scherzo: Presto 27:49
Mov.IV: Finale: Allegro vivace 34:33
Orchestra: Südwestfälische Philharmonie
Conductor: David Stern |
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 Franz Xaver Wolfgang Mozart: Piano Concerto No.2 in E-flat major, Op.25 (1818)
Közzététel: 2013. dec. 16.
Picture: Sir David Wilkie - Pitlessie Fair (1804)
Franz Xaver Wolfgang Mozart (26 July 1791 -- 29 July 1844) was the youngest child of six born to Wolfgang Amadeus Mozart and his wife Constanze. He was a composer, pianist, conductor, and teacher whose musical style was an early Romanticism, heavily influenced by his father's mature style.
Work: Piano Concerto No.2 in E-flat major, Op.25 (1818) Dedication to Son Altesse Imperiale Madame la Grande Duchesse Marie Paulowne, Princesse héréditaire de Saxe-Weimar
Mov.I: Allegro con brio 00:00
Mov.II: Andante espressivo 13:37
Mov.III: Rondo: Allegretto 17:45
Pianist: Henri Sigfridson
Orchestra: International New Symphony Orchestra Lemberg
Conductor: Gunhard Mattes |
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 Albert Lortzing: Zar und Zimmermann
Közzététel: 2013. júl. 10.
Zar und Zimmermann (Tsar and Carpenter) is the first comic opera (1837) by Albert Lortzing (1801--1851), libretto is written by composer. Van Bett, the Burgomaster of Saardam, is a template for comic bass personage in 19th century and later. His aria "O Sancta Justitia!" and scene of audition "Heil sei dem Tag!" (Hail the Day!) are amazing.
Peter the Great: Raymond Wolansky
Peter Ivanov: Peter Haage
Van Bett: Hans Sotin
Marie: Lucia Popp
Admiral Lefort: Herbert Fliether
Lord Syndham: Noël Mangin
Marquis de Châteauneuf: Horst Wilhelm
Widow Browe: Ursula Boese
Officer: Franz Grundheber
Ballet and Chorus of the Hamburg State Opera
The Philharmonic State Orchestra Hamburg
Charles Mackerras, conductor
Gyula Trebitsch, director
(arranged for TV by Joachim Hess)
Recorded 1969
Synopsis from wikipedia -- http://en.wikipedia.org/wiki/Zar_und_...
The action takes place in Saardam, Holland, in 1698.
Peter the Great of Russia, disguised as Peter Michaelov, a common laborer, is working in a shipyard in the Dutch town of Saardam, to learn shipbuilding techniques for his navy. He befriends a fellow Russian also working in the yard, Peter Ivanov, a deserter from the Russian army. Peter Ivanov is in love with Marie, the niece of Van Bett, the Burgomaster of Saardam. Tsar Peter is told of trouble in Russia, and decides to return home.
Van Bett has been told to find a foreigner named Peter in the shipyard. The English ambassador, Syndham, and the French ambassador, Chateauneuf, have both heard the rumor of Tsar Peter's disguised presence and are looking for him, which convinces Van Bett that "Peter" is an important man. But in confusion, he identifies the wrong Peter. Chateauneuf recognises the real Tsar, and concludes an alliance with him. Syndham is fooled and presents Peter Ivanov with a passport.
Van Bett, very confused, salutes Peter Ivanov with an elaborate ceremony. Peter Ivanov gives the passport to Tsar Peter, who uses it to leave quietly, having first blessed Peter Ivanov's marriage to Marie, and appointed him to a high office in Russia. |
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 Joseph Martin Kraus: Aeneas i Kartago - Aria - O Gudar! Styrken mig
Feltöltés: 2012. jan. 31.
Joseph Martin Kraus
Opera: Aeneas i Kartago
Libretto: Johan Henrik Kellgren
Aria di Aeneas: O Gudar! Styrken mig
Aeneas: Uno Stjernqvist
Orchestra: Swedish Radio Symphony Orchestra
Conductor: ??? |
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 Johannes Jeep: Musica die ganz lieblich Kunst
Feltöltés: 2011. jún. 30.
„Musica die ganz lieblich Kunst" aus dem Konzertprogramm „Madrigale" des Chores Vocapella Bielefeld, Komponist: Johannes Jeep, 20.03.2010, Ceciliengymnasium Bielefeld |
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 Artur Immisch: Eichhörnchen
Feltöltés: 2008. ápr. 13.
impressionistische Musik aus Bautzen |
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 Christoph Willibald Gluck: Dance of the Blessed Spirtis (from 'Orpheus and Eurydice')
Közzététel: 2013. ápr. 24.
* Christoph Willibald Ritter von Gluck
(2 July 1714 -- 15 November 1787)
Dance of the Blessed Spirtis (from 'Orpheus and Eurydice') 1762
cover by Jean-Baptiste-Camille Corot (July 16, 1796 -- February 22, 1875) was a French landscape painter |
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 Felix Falkner: De Profundis
Közzététel: 2012. okt. 7.
Felix Falkner
De Profundis (1999)
Lament
for soprano, clarinet and horn
Texts: Wilhelm Felix Swoboda, Georg von der Vring
Duration: 20' 00" |
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 Ernst Eichner: Sinfonie in d-moll, op.7 nº4-L'arte del mondo
Feltöltés: 2011. aug. 1.
Ernst Eichner (1740-1777)
Sinfonie in d-moll, op.7 nº4: Allegro/Andante/Allegro assai.
L'arte del mondo-Werner Ehrhardt. |
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 Johann Christoph Demantius: "Polnischer Tanz_Galliarde"
Közzététel: 2015. szept. 29.
Johann Christoph Demantius (15 de diciembre de 1567 – 20 de abril de 1643) fue un compositor alemán, teórico de música, escritor y poeta. Fue un contemporáneo exacto de Monteverdi, y representó una fase de transición en la música luterana de Alemania entre el estilo de Renacimiento polifónico al Barroco temprano.
Demantius fue un compositor muy prolífico, aunque muchos de sus trabajos se han perdido. Estilísticamente fue un sucesor de Lasso, quien también trabajaba en Alemania durante la primera parte de su carrera. Escribió la mayoría de su música antes de la guerra; es probable que los trances de la guerra, incluyendo la falta de presentaciones musicales, le dificultaran componer o publicar.
En el ámbito de la música sacra Demantius escribió motetes, misas, series de Magnificat, conjuntos de salmos, himnos, y un arreglo espléndido de la Pasión según San Juan, una de las obras del género más significativas del Renacimiento tardío. Este trabajo, para seis voces, está considerado el último en el desarrollo de la pasión en motete de Alemania; las obras posteriores acrecentaron el dramatismo, culminando en la Pasión según San Juan de J.S. Bach. El arreglo de Demantius incluye un texto de Isaías capítulo 53 además del texto habitual del Evangelio de San Juan.
Sus motetes son típicos del Renacimiento tardío, y del estilo luterano algunos son en alemán y otros en latín. Fue conservador al evitar algunas innovaciones de las obras barrocas italianas como el estilo concertato y el bajo continuo, ambos ampliamente utilizados en Alemania por 1610; pero también crea un lenguaje musical original, que utiliza formas y símbolos tradicionales, diferenciándose de la polífonía de Palestrina la polifonía a la sazón ampliamente utilizada por los demás compositores.
También escribió música secular, tanto vocal como instrumental, incluyendo trenodías, bailes, epitálamos, y numerosos otros trabajos ocasionales. Probablemente escribió los textos para su música.
Como teórico musical es conocido por compilar el primer diccionario de términos musicales en lengua alemana. También publicó un libro de texto para enseñar música en las escuelas, Forma musices, en 1592, en Bautzen.
Danzas del Renacimiento
Tanzmusik Der Renaissance
Collegium Aureum |
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 Franz Clement: Violin Concerto No. 2 in D minor
Közzététel: 2015. szept. 24.
It is my sincere desire that any and all remuneration that I might be due be forwarded to the performers.
Franz Clement (1780-1842)
Violin Concerto No. 2 in D minor (1810)
I. Moderato 0:00
II. Adagio 18:10
III. Rondo: Allegro 25:25
Margarete Adorf, violin
Deutsche Radio Philharmonie Saarbrücken Kaiserslautern
Reinhard Goebel, conductor
Franz Joseph Clement (November 17 or 18?, 1780 – November 3, 1842), was an Austrian violinist, pianist, composer, conductor of Vienna's Theater an der Wien and friend of Ludwig van Beethoven.
A talented violinist from a young age, he was known for his extraordinary ability to play complex pieces from memory after only briefly viewing them. He would alternate his virtuoso performances with lighthearted showmanship, with such intermission antics as playing a sonata on one string with the violin upside-down. A critic in 1805 described his unique style as follows:
"His is not the marked, bold, strong playing, the moving, forceful Adagio, the powerful bow and tone which characterise the Rode-Viotti School; rather, his playing is indescribably delicate, neat and elegant; it has an extremely delightful tenderness and cleanness that undoubtedly secures him a place among the most perfect violinists. At the same time, he has a wholly individual lightness, which makes it seem as if he merely toys with the most incredible difficulties, and a sureness that never deserts him for a moment, even in the most daring passages."
Beethoven became acquainted with Clement in 1794 when he attended a performance in Vienna by the prodigy, then just 14.
It was at Theater an der Wien's benefit concert of April 7, 1805 that Beethoven first publicly conducted his Eroica symphony. At the same performance, Clement premiered his own violin concerto in D Major, one of Clement's six known violin concertos.
Clement went on to commission Beethoven's Violin Concerto in D Major from his friend for the next benefit concert, given on December 23, 1806. It is said that Beethoven worked on it up until shortly before the performance, and that Clement played the piece without rehearsing.
Though he was a very successful touring virtuoso and conductor for a time, he seems to have gone into a premature decline and was soon earning an average living not in keeping with his potential. He died on November 3, 1842, at (almost) age 62. |
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Most nem azé' a két filléré', de ez nem a fiatal Beethoven képe? |
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